DOCKLANDS

A NEW COLLECTION OF, SITE SPECIFIC PHOTOS, OVER THE LAST FEW WEEKS CONCENTRATING ON THE FORMER POWERHOUSE OF THE SOUTH, THE LIGHT INDUSTRY, THE MANAFACTURE THAT MADE LONDON A GREAT CITY.

CURRENTLY REDUCED TO A NEW LABOUR BLANDNESS, OF EPIC PROPORTIONS. LIKE UNSALTED BUTTER, ROW AFTER ROW OF YUPPIE FILLED MARZIPAN DOGSHITS,WHERE ESTATE AGENTS RAT AROUND IN GOLF CARTS CHASING POLISH PROSTITUTES.

THIS IS ENGLAND, A FOUL AND BITTER CAVITY, WHERE ONCE GREAT MEN MADE GREAT THINGS.

THESE PHOTOGRAPHS, LOOK TO EXPLORE THE FEELING OF LOSS, BETRAYL AND LONELINESS.

TO SEARCH IS TO FIND.

WHAT PIECE OF WORK A MAN. HOW NOBLE IN REASON, HOW
INFINITE IN FACULTIES, IN FORM AND MOVING..

TAKEN ON KODAK PORTA NC- PENTAX MV/ME SUPER/OLYMPUS PEN EE

SELECTION OF 3 FROM SET OF 40

PRINTS/PHOTOCOPIES ON CARD £150 EACH [200X300MM]

LONLEY GIANTS - MONGOLIAN EMBASSY EXHIBITION

LAST WEDS I HAD AN EXHIBITION OF 30 PHOTOGRAPHS IN THE MONGOLIAN EMBASSY LONDON.

FROM A SELECTION OF WORKS TAKEN IN SEPTEMBER/OCTOBER 2007

IN CONSULTATION WITH THE MONGOLIAN AMBASSADOR THE PICTURES CONCENTRATED UPON THEMES OF ARCHITECTURAL AGGRESSION AND FEAR. THE POLITICAL INFLUENCE OF SOVIET FORCES DURING THE COLD WAR AND A NEW CULTURAL SHIFT IN DESIGN SINCE 1990.

COLOUR LASER PRINTS ON 160G PAPER

EDITION OF 20 £300EACH